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Oanh Kieu Thi Ho, Vietnam
https://doi.org/10.59009/ijlllc.2026.0189 | 1-17 | PDF |
| 190 | SACRIFICE, SUBSTITUTION, AND BIBLICAL INTERTEXTUALITY IN ANNIE ERNAUX’S L’AUTRE FILLE
Yang Hang, China
https://doi.org/10.59009/ijlllc.2026.0190 | 18-22 | PDF |
| 191 | THE INTERFACE BETWEEN MAN AND NATURE: ITS PORTRAYAL IN THE WORKS OF INDO-ANGLIAN WRITERS
Dr. Rakesh Chandra, India
https://doi.org/10.59009/ijlllc.2026.0191 | 23-26 | PDF |
| 192 | THE HARMONIOUS AGGREGATE OF BUDDHISM AND CONFUCIANISM IN THE WORKS OF ZEN MASTER CHÂN NGUYÊN
Dũng, Trần Văn, Vietnam
https://doi.org/10.59009/ijlllc.2026.0192 | 27-35 | PDF |
| 193 | AI-DRIVEN DIFFERENTIATION IN THE MOROCCAN EFL CLASSROOM
Abdelmoula El khdar, Morocco
https://doi.org/10.59009/ijlllc.2026.0193 | 36-42 | PDF |
| 194 | THE BANQUET SCENE IN MACBETH: A SEMIOTIC ANALYSIS
Dr. Krushna Chandra Mishra, India
https://doi.org/10.59009/ijlllc.2026.0194 | 43-50 | PDF |
